A row of brownstones: process part III

I planned to post this Friday, but things being what they are out in the world, I didn't manage it. With things in NYC going from quasi-normal to lockdown in a matter of days, it wasn't a priority. I spent part of the weekend in communication with family and friends near and far, a final… Continue reading A row of brownstones: process part III

A row of brownstones: process part II

Here is the third proof I pulled after completing my line etches in the acid bath on Tuesday. The first proof was a mess, on account of excess acid and water trapped beneath the contact paper that held the strips together throughout the etching process. I removed it, cleaned the plates, and re-joined them with… Continue reading A row of brownstones: process part II

An extra day in the year

Happy Leap Day! It seems fitting that our extra day comes on the weekend, else I'm sure it would be overlooked by many of us. It isn't as if the world treats this day any differently. I've been trying hard to not allow the relentless news of the world to overwhelm me. It can be… Continue reading An extra day in the year

Cathedral of St John the Baptist

Continuing on last week's theme— images from Savannah. Here are two scans of a copper plate etching in progress. Above shows the first pull of phase two, after adding some tones with aquatint. This is a miniature print (3"x3"). The next phase will involve some burnishing of the plate to create more variations in the… Continue reading Cathedral of St John the Baptist

Two colors on canvas

Above is one of the canvas tote bags I screen printed back in December. It's a posed picture; clearly I had to print them upside-down to keep the handles out of the way. I just wanted to put it in the context of the studio where I printed them. They came out well, though! Only… Continue reading Two colors on canvas

Happy New Year: some new prints

Above is a finished print from the edition of Lisbon silkscreens I was working on when last I posted. It's a three-color rendition of a pen-and-marker sketch I did sitting on the balcony of our little apartment there, perched above the harbor. Below are two variations from several small editions of a cabin scene. This… Continue reading Happy New Year: some new prints

4th Annual NY International Miniature Prints Exhibition

Last night was the opening reception for the Mini Prints show at Manhattan Graphics Center, where I take printmaking classes. The place was packed to the gills, and I was pleased to see that my two prints had already been claimed by someone! (The red dots indicate the pieces are sold.) This was the first… Continue reading 4th Annual NY International Miniature Prints Exhibition

Miniature Prints Exhibition

left: Alfama, Lisbon. right: El Poble Sec, Barcelona (line etching + aquatint) The two 3" x 3" intaglio prints that I did after my trip in May, with this call-for-entries specifically in mind, have been accepted into the 4th New York International Miniature Print Exhibition. Very exciting! I have some time to make more prints… Continue reading Miniature Prints Exhibition

Summer Sunday blues

An etching of the view from the balcony in El Poble Sec in Barcelona I'm feeling scattered and at a loss. I have a lot that I could be doing, preparing, working on, reading, and yet I've been sitting at the computer sort of flitting in and out, here and there— utterly unable or unwilling… Continue reading Summer Sunday blues

The Witch-boy: line etch proof

Here is a scan of an initial proof of my line-etching of the witch-boy. This is the result of scratching my drawing into a waxy coating over the copper plate, called a hard ground. After coating the plate, you can transfer your (reversed) image onto the surface to guide you as you make your lines… Continue reading The Witch-boy: line etch proof