Here's a sketch that began a few days ago as a 30 second pencil study while watching a Manfield Park (it's been done multiple times for screen). Returned to it yesterday and it became, essentially, a study of hair. Initial pencilling and inking rendered it very Revolver in aspect, as you can see in the process scans.… Continue reading A little Mansfield Park (in ink, watercolor)
Had an excursion into the big town last night for a bluegrass session at Mona's. A gaggle of talented musicians and an enthusiastic crowd. My gesture drawing is rusty; not as fast as I could have been, so I missed a lot of good angles or compositions. (Also forgot how much the markers bleed.)
Here is the fourth in a series I've been calling, alternately, 'Don't see, don't speak' or (informally, and more frequently) 'The Red Hand of Shut It'. Symbolically speaking, it's about being lied to and/or being silenced— not having a voice. Or, I guess, any nature of marginalization or suppression, whether personal or on a larger scale. It needs expanding.… Continue reading Red Hand No.4 (pencil and watercolor)
The third in a new series. Above is the finished version; this one is on 9" x 12" bristol paper. (The two previous were done in my moleskin, 5" x 8".) PROCESS: (These were shot on my iPhone, so not nearly as crisp or clean as the final, which was scanned.)
I've opened a second instagram that will be only for drawings. More precisely, people drawings and portraits.Go there now and FOLLOW me @edaggarart. More of the 'Red Hand of Shut It' portraits to come soon.
A stern Victorian, or maybe Edwardian— the title an ode to Lucy Honeychurch of A Room with a View, from my collection of cabinet card portraits. I see now, though, she's less compelling than the first of this series, for not looking into the camera. She's making no direct appeal to us, but someone out of frame, which… Continue reading Easy live and quiet die
Here's a piece that I initially intended to (1) sketch quickly in pencil in the Moleskine, and (2) finish -simply- with red watercolor and my new Micron™ pens– high contrast, no shading. Instead, it turned into a rather detailed pencil rendering, finished with several layers/workings of watercolor, and only a few lines with a pen (ears, jawline, eyes). I kinda… Continue reading Don’t see. Don’t speak. | a sketchbook painting
I have some illustrations to do for a book ,and this won't be one of them, but I did this one anyway for fun. (One of the actual ones will be similar though.)
e daggar art: THE MUSEUM 